Sabine Choucair, a professional clown, is on a mission to spread light relief to Syrian refugees and vulnerable people worldwide. She discovered her true calling when she learned the art of clowning while studying theater in the UK.
“I found it (clowning) magical. I found the answer to why I really wanted to do theater and how to use it with people,” she said.
Soon enough, Choucair and her friend Gabriela Munoz founded Clown Me In in 2008, a Beirut-based theater company that performs and organizes workshops for refugees and other disadvantaged communities worldwide.
More than 5.6 million Syrians have fled their war-torn country as refugees, according to the UN.
Half of them are children, many of whom now live in Lebanon and other neighboring countries, where temporary settlements have become home to tens of thousands of refugees who have stayed for years. Having experienced civil war as a child, Choucair understands the hardships that these children face every day.
“I know exactly how these kids feel and what they’ve gone through. Going to a refugee camp is very special for me,” she said.
But it was not easy introducing clowning in Lebanon. People wanted her to do clowning for children’s birthdays, while she wanted to use it for a social cause. She decided to invest her time and money into growing her company and making clowning a known art. “I sent proposals to 70 different organizations to tell them about the importance of clowning,” she said. Her hard work paid off. Today, Clown Me In is one of Lebanon’s largest clowning groups, bringing performances to people who need it the most. The group has performed around the world for Mexican, Lebanese, Palestinian, Indian, Moroccan, Jordanian, Brazilian, Greek and British communities.
In November 2015, Choucair travelled to Lesbos, Greece, to perform with the non-profit group Clowns Without Borders for the influx of refugees arriving at the island. “I broke. It was so sad. People weren’t finding their relatives. We’re also human beings, but it didn’t stop us from performing,” she said. “On the contrary, it was important for us to be there, to bring joy to the people and children who really need it.” There is usually a common feeling of hopelessness and despair in most refugee camps, but when the clowns begin their performance there is an instant change in energy, from stillness to joy, said Choucair, adding: “It’s magical despite the misery.” Clown Me In also uses clowning to raise awareness of social issues such as children’s rights, education, early marriage and the environment.
Now they are working on organizing a “trashion” show to talk about garbage, which is not only a problem in Lebanon, but also in the Middle East and across the world. The audience tends to be receptive to the ideas and messages being conveyed during these performances, said Choucair.
“People listen more and pay attention when they’re not being attacked. They also accept things better when they’re happy. Play and laughter can do wonders,” she added. Choucair was recently invited to the World Economic Forum in Davos, where she organized a workshop on dealing with loss and talked about the importance of play at work.
“It was an amazing experience. It’s not only important to be there, but it’s also important to be active and get the message out about the importance of clowning,” she said.
With the global refugee crisis not going away anytime soon, Choucair believes that we need clowning today more than ever.
“We need more of this in the region and in the world, because we don’t have enough of it. We all need more joy,” she said.